After signing yet another record deal with Interscope, they issued the formidable Source Tags & Codes in 2002, followed by The Secret of Elena’s Tomb EP in 2003. The elaborate Worlds Apart arrived early in 2005. Despite widespread acclaim for the album, its sales were disappointing, leading Keely to consider disbanding the group. However, he and the rest of AYWKUBTTOD found inspiration in their frustration and bounced back with So Divided — initially conceived as an EP, but gradually expanded into a full-length effort — in late 2006. Their subsequent departure from Interscope Records convinced the musicians to launch their own label, Richter Scale Records, in partnership with the Texas-based Justice Records. Free of the constraints of conventional label deals, the band then brewed up a batch of contemporary prog anthems and released an EP, 2008’s Festival Thyme, to ramp up support for a full-length album. The Century of Self followed in early 2009.
AYWKUBTTOD then scaled down their lineup, choosing to record their next album as a four-piece. The result, Tao of the Dead, also doubled as one of the most band’s most conceptual works to date, with a 16-song set list divided into two lengthy tracks, each of which was performed in a specific musical key. After Keely’s move to Cambodia’s capitol city, Phnom Penh. Tao of the Dead recruits Autry Fulbright and Jamie Miller headed to Hanover, Germany in the summer of 2012 to record Lost Songs. One of the band’s most overtly political sets of songs, the album was released that October. The group returned to Texas’ Hill Country to record 2014’s IX, an introspective set named after the ninth planet in the solar system in the world of Frank Herbert’s Dune. (Jason Ankeny, Rovi)
2019 marks the reveal of the band’s tenth studio release and the addition of Aaron Blount to the lineup. In support of this summer release, the band looks launch a series of national and international tour dates.
|May 8, 2019 11:00 pm||CMW / Distortion Presents: – Mod Club, Wednesday May 8th|